The handmade textile installation titled Khat: Transitional Identities was created for the Alchemy Festival 2017 being held in London. Now in its eighth year, Alchemy has become the largest festival inspired by South Asian Culture outside the subcontinent. The concept of these abstract screens revolves around the Urdu language and its partition from Hindi, eventually leading to the actual partitioning of the people.
Khat refers to the name widely used for calligraphy, and the artists want to portray an almost Dadaist version of Urdu type, where repetitions, arrangements and orders represent the nuances of their language and thought processes.
Khat has been envisioned by artists representing Daalaan, a team of six Karachi-based designers with their own areas of focus who regularly collaborate on international projects. In this instance, Ali S. Husain and Hina Fancy, a graphic designer and a textile artist, played with this concept and transformed it into a spectacular display; creating a backdrop reflecting the innovative scope stemming from the traditions and modernity within Pakistan.
Hina is an artist who depicts aspects of her culture, identity and environment, both natural and manmade, with a unique style and perspective. A designer at Khaadi by profession and a screen-printer at heart, her work has been displayed at private galleries in Pakistan and the US, and can be found in corporate offices and private homes.
Her distinctive style uses natural henna on pure silk, playing on nature’s role in the production of her work. Her work speaks on the interplay between people and nature to reimagine the functions and materials we take for granted. She continues to experiment to grow the scope of the things we use, both functionally and aesthetically.
Ali is almost obsessively focused on turning ideas into art and transposing it onto our daily lives. He has been able to channel this regularly in his 13 years of design and printing experience. Here artistic and material experimentation tend to result in very popular products used by multi-national organizations like UNILEVER, USEFP, and ENGRO Corp, a range of national organizations and the retail market. He manages this through his two companies: Paperwork, a paper product manufacturing company, and Elomano, a design solution provider.
Together they have transformed concepts into finished pieces, and have previously exhibited their work with the Daalaan team in the Dubai Design District’s Abwab Pavilions in 2015, and the London Design Biennale 2016. It was at their last exhibit in London, where the team was approached by the members of Southbank Center to commission them to create a central exhibit for the Alchemy Festival 2017.
Khat is on display from 19th to 29th May in The Clore Ballroom, Southbank Center, London.
You may also like:
Group Show 'Configuration' opens at Tanzara Art Gallery, Islamabad
(September 15, 2017)
Art Review: 'Occupying the Third Space' opens at Satrang Art Gallery
(September 01, 2017)
Exhibition of Chinese Silk, Porcelain and Tea at PNCA
(August 29, 2017)
Celebrating 70 Years of Pakistani Art: A Brief Discussion
(August 09, 2017)
Art by Prisoners on Death Row – Alliance française de Karachi
(July 11, 2017)
China Cultural Heritage Week Launched at the PNCA
(July 10, 2017)
Art Review: 'Silent Noise' at Studio Seven Karachi
(July 07, 2017)
Amin Gulgee: A Pakistani Artist and Visionary
(July 03, 2017)
'Hurouf': 6th Annual Calligraphy Show at Satrang Art Gallery
(June 09, 2017)
Art Review: Scheherzade Junejo's 'Faceless'
(May 1, 2017)
Art Review: 'Department Store' at Sanat Initiative
(May 11, 2017)