The exhibition showcased 47 photographs of different shrines, forts, churches, Mandirs, as well as people of Sindh and South Punjab. The photographs were taken by Bilal Ahmed, a recent LUMS graduate, during one of the KhanaBadosh trips. All proceeds from this exhibition will be used to support Hum-Aahang’s ‘Project Youhanabad’ – a platform through which members engage and work with the underprivileged youth in Youhanabad and motivate them to pursue great things in life.
“Kashf – literally meaning ‘unveiling’ – is an exhibition documenting our experiences in Khanabadosh,” told Minahil Mehdi, one of the organizers, to an intimate audience consisting of art aficionados, literature lovers and students. Khanabadosh is an annual 13-day trip to the shrines, temples, and places of cultural and historical importance in South Punjab, Cholistan, and Sindh. According to Ms. Mehdi, “It is a journey into Pakistan’s spiritual and cultural heartland, and for each individual, a pilgrimage into their own self. It covers shrines of Data Ganj Baksh, Baba Bulleh Shah, Baba Farid, Bahauddin Zakariya, Shah Shams Tabraiz, Shah Rukn-e-Alam, Sachal Sarmast, Lal Shahbaz Qalandar, Shah Abdul Latif Bhittai and Sadh Belo, as well as Churches including the majestic Holy Trinity Cathedral and St. Patrick’s, Karachi”. The places visited include Sukkur, Thar, Nagarparkar, Thatta and Karachi.
The concluding ceremony was held on the last day of the exhibition. The audience sat down in a circle, facing each other. The organizers, Minahil Mehdi and Faizaan Qayuum, showed their utmost gratitude to all those present. The session formally began when Mr. Yaseen, a student at Hast-o-Neest, mesmerized the audience with his Rubab playing skills. Throughout the remainder of the session, Yaseen subtly kept playing his Rubab in the background. Dim lights, an intimate gathering, and splendid music had a magical effect on the audience.
Due to some unforeseen circumstances, the guest speaker, Ms. Nudrat Majeed, could not make it to the exhibition. However, Junaid Alam – one of the curators – initiated an informal conversation session with the audience. He shed light on the difference between the concepts of civilization and modernity, and how the two are used interchangeably despite being two entirely different terms.
The informal conversation session was followed by a story-telling session where some of the Khanabadoshies narrated their personal experiences while on the trip. Sunday’s story session was led by Nasir Abbas Sokhmir and Momina Mindeel, final year students at LUMS. Nasir talked about the warmth he attained during this spiritual journey, while Momina talked about how it made her aware of her unconnected body and soul.
Taimur Khan Mumtaz – one of the curators and founders of Hast-o-Neest – thanked the organizers for their commendable efforts for the promotion of tolerance and inter-faith harmony. The session concluded with Mr. Taimur playing remarkably soothing raag on his harmonium. “Even an elaborate set of words cannot convey an idea that an image can, in an instant”, commented Minahil Mehdi. “Although we are working on a book along the same lines as the exhibition, I feel pictures and portraits are a more powerful medium of communication.”
You may also like:
Art by Prisoners on Death Row – Alliance française de Karachi
(July 11, 2017)
China Cultural Heritage Week Launched at the PNCA
(July 10, 2017)
Art Review: 'Silent Noise' at Studio Seven Karachi
(July 07, 2017)
Amin Gulgee: A Pakistani Artist and Visionary
(July 03, 2017)
'Hurouf': 6th Annual Calligraphy Show at Satrang Art Gallery
(June 09, 2017)
Alchemy Festival 2017: 'Khat: Transitional Identities'
(May 22, 2017)
Art Review: Scheherzade Junejo's 'Faceless'
(May 1, 2017)
Art Review: 'Department Store' at Sanat Initiative
(May 11, 2017)