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    Dragging Dramas: Commercialism Continues to Triumph over Creativity on Television

    Written by: Hurmat Majid
    Posted on: April 04, 2024 | | 中文

    Dur-e-fishan Saleem as Zamda and Faysal Qureshi as Chanar Khan in Khaie

    In today's media landscape, television has undeniably become a commercial juggernaut where the pursuit of advertising revenue often dictates the planning and execution of shows. Unfortunately, this relentless focus on maximizing profits can sometimes overshadow the intrinsic artistic value of television dramas. Viewers, who are the lifeblood of any television channel, deserve to be treated with the utmost respect and consideration, especially when it comes to their viewing experience.

    Wahaj Ali and Yumna Zaidi-starrer Tere Bin was dragged for views by adding unnecessary filler scenes

    When television dramas are stretched beyond their intended length, Khaie being the latest example of this, viewers often find themselves losing interest in the storyline. The initial excitement and engagement wanes as the plot become diluted with unnecessary filler content, like in Ishq Murshid. Repetitive scenes and predictable subplots can lead to viewer fatigue, causing them to tune off or switch to other programs. This loss of interest not only affects the current drama, but can also impact viewers' perception of future productions from the channel or production house. We know this is a common practice, since writers of dramas and even actors have now come out and said that a show was shot or written for a certain number of episodes, but has been stretched.

    Viewers who were initially drawn in by the promising premise and engaging characters, may feel cheated or disappointed by the unnecessary padding. The frustration of watching a once-promising drama spiral into mediocrity, can erode trust and loyalty towards the channel or production. Such experiences may deter viewers from investing their time and emotions into future offerings, impacting viewership and brand reputation.

    Hiba Bukhari and Faysal Qureshi in Fitoor, which was dragged unnecessarily

    While a drama may initially enjoy high ratings due to its popularity, prolonged stretching can lead to a decline in viewership and ratings over time. The decision to extend a drama's length can have repercussions for the actors and crew involved in its production. Prolonged shooting schedules and extended commitments may lead to burnout and fatigue amongst the cast and crew. Creative conflicts and disagreements may arise as stakeholders grapple with the challenge of sustaining interest and momentum in the face of stretched storytelling. Ultimately, the well-being and morale of the team can be compromised, affecting the overall quality and professionalism of the production.

    Effective management of television drama production begins with a clear and concise episode planning process. Establishing a predetermined number of episodes from the outset provides a roadmap for the storyline's progression, and ensures that the narrative remains focused and coherent. By adhering to a predefined structure, producers can avoid the temptation to unnecessarily prolonging the drama, and instead concentrate on delivering a compelling and satisfying viewing experience.

    Farhan Saeed and Zara Noor Abbas in Badshah Begum, another stretched out drama

    Implementing robust quality control measures throughout the production process is essential for upholding the standards of the drama. From scriptwriting to editing, every stage of the development process should be subjected to rigorous scrutiny, in order to identify and rectify any potential shortcomings. By prioritizing substance over filler content, and maintaining a keen eye for detail, producers can safeguard the integrity and coherence of the storyline, thereby preserving the drama's overall quality and appeal.

    Engaging with viewers through regular feedback channels, offers valuable insights into their preferences, opinions and expectations regarding a television drama. By soliciting feedback via surveys, social media or focus groups, producers can gauge audience sentiment and identify areas for improvement. This collaborative approach not only fosters a sense of inclusivity and transparency, but also empowers producers to make informed decisions that resonate with their target audience, ultimately enhancing the overall viewer experience.

    Humaima Malick and Samiya Mumtaz in Jindo, a dragged show by Green Entertainment

    Encouraging innovation and creativity in television drama production can inspire fresh and original storytelling approaches that captivate and engage audiences. Rather than resorting to prolonging existing dramas, producers should foster an environment that nurtures bold experimentation and risk-taking. By embracing diverse perspectives and exploring unconventional narrative techniques, producers can create compelling and memorable viewing experiences that resonate with viewers on a deeper level, thereby revitalizing the television landscape.

    Maintaining flexibility in broadcasting schedules allows producers to adapt to changing viewer preferences and market dynamics. If a television drama fails to resonate with audiences or experiences a decline in ratings, producers should be willing to consider shortening its length or concluding it gracefully. By prioritizing viewer satisfaction and creative integrity over commercial considerations, producers can demonstrate a commitment to delivering quality content that resonates with their audience, thereby safeguarding the long-term success and viability of their productions. In an era where alternative platforms like Over-the-Top (OTT) services offer a plethora of entertainment options, viewers have more choices than ever before. If television channels persist in prioritizing commercial interests over artistic integrity, they run the risk of losing viewers permanently to these alternative platforms.

    Sana Javed and Bilal Abbas in Dunk

    It is imperative for television channels to recognize the importance of nurturing and preserving the artistic integrity of television dramas. By prioritizing quality over quantity and the viewers' interests, channels can cultivate a loyal and engaged audience base that will continue to support their endeavors in the long run. After all, the true essence of television lies not just in its commercial success, but in its ability to captivate, inspire and resonate with audiences on a profound level.


    As the new year begins, let us also start anew. I’m delighted to extend, on behalf of the Embassy of the People’s Republic of China in the Islamic Republic of Pakistan and in my own name, new year’s greeting and sincere wishes to YOULIN magazine’s staff and readers.

    Only in hard times can courage and perseverance be manifested. Only with courage can we live to the fullest. 2020 was an extraordinary year. Confronted by the COVID-19 pandemic, China and Pakistan supported each other and took on the challenge in solidarity. The ironclad China-Pakistan friendship grew stronger as time went by. The China Pakistan Economic Corridor projects advanced steadily in difficult times, become a standard-bearer project of the Belt and Road Initiative in balancing pandemic prevention and project achievement. The handling capacity of the Gwadar Port has continued to rise and Afghanistan transit trade through the port has officially been launched. The Karakoram Highway Phase II upgrade project is fully open to traffic. The Lahore Orange Line project has been put into operation. The construction of Matiari-Lahore HVDC project was fully completed. A batch of green and clean energy projects, such as the Kohala and Azad Pattan hydropower plants have been substantially promoted. Development agreement for the Rashakai SEZ has been signed. The China-Pakistan Community of Shared Future has become closer and closer.

    Reviewing the past and looking to the future, we are confident to write a brilliant new chapter. The year 2021 is the 100th birthday of the Communist Party of China (CPC) and the 70th anniversary of the establishment of diplomatic relations between China and Pakistan. The 100-year journey of CPC surges forward with great momentum and China-Pakistan relationship has flourished in the past 70 years. Standing at a new historic point, China is willing to work together with Pakistan to further implement the consensus reached by the leaders of the two countries, connect the CPEC cooperation with the vision of the “Naya Pakistan”, promote the long-term development of the China-Pakistan All-weather Strategic Cooperative Partnership with love, dedication and commitment. Mohammad Ali Jinnah, the founding father of Pakistan said, “We are going through fire. The sunshine has yet to come.” Yes, Pakistan’s best days are ahead, China will stand with Pakistan firmly all the way.

    YOULIN magazine is dedicated to promoting cultural exchanges between China and Pakistan and is a window for Pakistani friends to learn about China, especially the Xinjiang Uygur Autonomous Region. It is hoped that with the joint efforts of China and Pakistan, YOULIN can listen more to the voices of readers in China and Pakistan, better play its role as a bridge to promote more effectively people-to-people bond.

    Last but not least, I would like to wish all the staff and readers of YOULIN a warm and prosper year in 2021.

    Nong Rong Ambassador Extraordinary and Plenipotentiary of
    The People’s Republic of China to the Islamic Republic of Pakistan
    January 2021