DYNAMIC TENSION

    Written by: Alia Bilgrami - Posted on: June 05, 2013 | Post your comment here Comments | 中国 (Chinese)

    Google Translation: اُردو | 中文

    DYNAMIC TENSION

    Le Guo with his works (Image by Alia Bilgrami)

    Le Guo is a talented mid-career artist based in London. Originally from Gansu Province, North West China, the artist completed his BA in Fine Arts, North West Normal University of China (1981-1985) and went on to do his Master of Fine Arts from Central Saint Martins, College of Art & Design, London (2008-2010). In 1990, he was invited to exhibit his work in the UK by the Arts Council of Great Britain, and the Barbican Centre. He lives and works in London where I had the pleasure of visiting his studio towards the end of 2012.

    A Little Higher, by Le Guo,
    120x180cm, oil on canvas, 2012
    Le’s art is impulse-driven. It is not just about the visual but more about the physical engagement and immediacy he has with the work as he creates it. He only works when he feels that urge, which is a combination of spirituality and a strong physical force that compels him to paint. Most artists feel the same way, that is, without inspiration or the drive to create, they cannot do so. Le takes this a step further by never painting unless that compulsion is there. He regards painting as ‘a translation of the spirituality and perceiving process as it reacts to the physical reality of the world.’ He explains further, ‘I am waiting for an impulsive moment to drive me, applying paint with a sort of intuitive gestural brush mark, keeping the brush movement in physical rhythm as if writing calligraphy or performing Tai Chi.’

    He describes his own method of painting like two animals fighting; there is always a tussle. He mostly paints on the floor and adds details and the final touches later on. His work is spontaneous, emotional and unplanned. There is no preparation. There is no sketchbook. At the most he roughly builds up the visual in his head during the process. The physical impetus to create starts to churn inside him and then he paints. Once it is over, he feels a sense of relief – almost as though something was trapped inside him, waiting to be released.

    When I went to visit Le’s studio in London, I was almost certain that I would have to look through the work and make my own assumptions, since most artists tend to shy away from explaining what their work is about, or they feel that the visual should speak for itself and prefer to leave the interpretation to the viewer. I was pleasantly surprised that Le, on the contrary, took out the time to walk me through his studio and show me all the works, old, new and in progress, accompanied by an articulate, enthusiastic and animated discussion throughout.

    Sneak peak of Le Guo's studio (Image by Alia Bilgrami)

    I noticed that the circle features quite frequently in Le’s work. Some canvases are actually round while others that are rectangular have circular and organic forms within them. The gestures are predominantly round or oval. Le’s reason for always coming back to the sphere is very simple and intuitive. The circle is an elemental part of Chinese Philosophy as it denotes change. Change is a fundamental process in the Universe. Sometimes the round motion transcends the frame. Le’s reason for this is that change is beyond the canvas and, therefore, it proliferates in all directions. For the same reason, some of his paintings spread over several canvases to form one piece. His work is not static; it is not restricted to a single frame. It is in flux, it rotates, it is not constrained, and it has room to grow as his palette grows. He says, ‘My life and art practice inhabits the dichotomous worlds of conflict and balance, proposing solutions within flux, generating fluidity within the fragmented mind. I conjure a sense of an internal, intuitive, shifting reality attempting to respond to a physical world. I have a desire to narrate, but am unable to form a story.’

    Sneak peak of Le Guo's studio (Image by Alia Bilgrami)

    Le relates to traditional Chinese painting and calligraphy. He has taught Classic Chinese Art at Birkbeck College, University of London and at the British Museum, London. Without wanting to be labelled, he seeks to represent his culture and he feels that subconsciously we all have an emotional connect with where we come from. Le’s artwork is abstract, gestural and in some ways surrealist. He believes that the work takes on a life of its own and it is the act or performance of painting and the process that are the most important elements of his practice. He explains that his ‘paintings are oscillating between abstraction and figuration; intention and process; conflicts and balance.’ We can see this set of opposites fighting one another in his artwork quite clearly through his bold colours and impulsive mark-making.

    Le Guo’s latest solo show, Momentary Suspensions, was held in March 2013 at Battersea, London. Other important shows include the Salon Art Prize, Matt Roberts Arts, Vyner Street, London (2011); Restless Envisioning, No Format Gallery (Solo 2012); Painting and Object – New Works by Le Guo & Jane Cairns, Greenwich Heritage Centre, London (2012) and amongst many shows at the Barbican Centre, the most recent was Creative Cities Collection, Barbican Arts Centre, London (2012) and Re-growing, the 1st Chinese Artists UK Biennale, Asia House, London (2013). He currently shows with the Portman Gallery, London and Hua Gallery, Battersea, London.

    To view more images and learn more about Le Guo’s art you can visit his website: http://www.leguo.co.uk



    As the new year begins, let us also start anew. I’m delighted to extend, on behalf of the Embassy of the People’s Republic of China in the Islamic Republic of Pakistan and in my own name, new year’s greeting and sincere wishes to YOULIN magazine’s staff and readers.

    Only in hard times can courage and perseverance be manifested. Only with courage can we live to the fullest. 2020 was an extraordinary year. Confronted by the COVID-19 pandemic, China and Pakistan supported each other and took on the challenge in solidarity. The ironclad China-Pakistan friendship grew stronger as time went by. The China Pakistan Economic Corridor projects advanced steadily in difficult times, become a standard-bearer project of the Belt and Road Initiative in balancing pandemic prevention and project achievement. The handling capacity of the Gwadar Port has continued to rise and Afghanistan transit trade through the port has officially been launched. The Karakoram Highway Phase II upgrade project is fully open to traffic. The Lahore Orange Line project has been put into operation. The construction of Matiari-Lahore HVDC project was fully completed. A batch of green and clean energy projects, such as the Kohala and Azad Pattan hydropower plants have been substantially promoted. Development agreement for the Rashakai SEZ has been signed. The China-Pakistan Community of Shared Future has become closer and closer.

    Reviewing the past and looking to the future, we are confident to write a brilliant new chapter. The year 2021 is the 100th birthday of the Communist Party of China (CPC) and the 70th anniversary of the establishment of diplomatic relations between China and Pakistan. The 100-year journey of CPC surges forward with great momentum and China-Pakistan relationship has flourished in the past 70 years. Standing at a new historic point, China is willing to work together with Pakistan to further implement the consensus reached by the leaders of the two countries, connect the CPEC cooperation with the vision of the “Naya Pakistan”, promote the long-term development of the China-Pakistan All-weather Strategic Cooperative Partnership with love, dedication and commitment. Mohammad Ali Jinnah, the founding father of Pakistan said, “We are going through fire. The sunshine has yet to come.” Yes, Pakistan’s best days are ahead, China will stand with Pakistan firmly all the way.

    YOULIN magazine is dedicated to promoting cultural exchanges between China and Pakistan and is a window for Pakistani friends to learn about China, especially the Xinjiang Uygur Autonomous Region. It is hoped that with the joint efforts of China and Pakistan, YOULIN can listen more to the voices of readers in China and Pakistan, better play its role as a bridge to promote more effectively people-to-people bond.

    Last but not least, I would like to wish all the staff and readers of YOULIN a warm and prosper year in 2021.

    Nong Rong Ambassador Extraordinary and Plenipotentiary of
    The People’s Republic of China to the Islamic Republic of Pakistan
    January 2021