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    Unfolding the Enigma that is Chinese Guo Hua Painting

    Written by: Sana Shahid
    Posted on: April 17, 2023 | | 中文

    Landscape Painting by Shen Zhou

    ‘Perfection doesn’t exist’, is a saying that we have all heard and experienced before, but would you believe if I say it does exist in the form of ‘Guo Hua Painting’? It is a type of painting which is well thought out and planned beforehand, because once it is on an artist’s canvas, it can’t be erased or fixed. This is the form of perfection that Guo Hua painting demands.

    Painting by Zhang Zeduan

    ‘Guo Hua’ directly translates to ‘National Painting’, although it can have multiple meanings and connotations in simplified or traditional Chinese language. It is mainly known to be ‘traditional Chinese painting’, but having numerous meanings makes it problematic to decode its meaning precisely.

    What exactly is a Guo Hua painting? Just like there are various ways to define it, in the same manner, there are several techniques of doing it. A style that involves traditional subjects painted, especially on a Chinese paper or silk, with ink or mineral pigments is primarily considered ‘Guo Hua painting’. To be specific, it focuses largely on the use of brush and ink, excluding oil-based paints. Unlike some Western paintings that have historical stories as their subjects, Guo Hua painting focusses on human figures, landscapes, birds and flowers. The compositional elements and the brush strokes bring life to the artworks following this technique. The subtlety and precision is uncanny, to a point where it may seem like a vintage photograph when viewed from a distance.

    Portraits of Men by Yan Liben

    When it comes to traditional Chinese painting, there are two prominent techniques: ‘Gongbi’ and ‘Ink and Wash painting’. Gongbi refers to the miniature brush strokes. This technique was usually carried out by commissioned artists working for the royal courts, and depicted narrative and figurative themes. On the other hand, Ink and Wash technique, also referred to as a watercolour or brush painting, highlights the interest of some men who regarded themselves as gentlemen belonging to the Song dynasty.

    The title ‘Guo Hua’ or ‘National Painting’ became a proper term in the early 20th century. Chinese art at the moment was quite dynamic, distinct and easily distinguishable from Western art. Although, after getting exposed to the Western art, Guo Hua painting evolved new techniques and styles by combining the two art forms, traditional and Western. Some artists opposed the adaptation of the Western visuals and concepts, while others dedicated their practices to merging the modern and traditional pictography, naming it the ‘New National Style Painting’.

    Bamboo painting by Zheng Banqiao

    Chinese painting is considered to be one of the oldest forms of art that existed dominantly in the world. These artworks can be dated back to the Han Dynasty from the era of 200BC to 220 AD, and the time of Tang Dynasty as well. These rulers, like other empires, commissioned artists to create stunning paintings of their emperors, horses and royal ladies. Other than mainstream subjects, during the era of Tang Dynasty, landscapes also became the subjects of these artworks, depicting a fascinating imagery of China. The paintings from the Song Dynasty also focused on landscapes, while adding a mythical aspect to them, whereas paintings from the Yuan Dynasty emphasized calligraphy and poetry.

    Similarly, these techniques comprise of various characteristics like Chinese painting ink, painting brushes, paper and pigments. All these tools are classified and customized according to the Chinese traditional painting styles. Ink is made with the help of hardened glue and pine extract, while the brushes follow a flowy line pattern resembling the calligraphic curves and strokes. Like the ink, the pigments were also created with the help of natural minerals to give the artworks a real-life effect.

    Replica of Nymph of the Lou River by Gu Kaizi

    Chinese art, let alone Chinese painting, has a long-lasting historical value to it, which is exemplary even in the contemporary times. Gu Kaizhi was an artist renowned for his iconic calligraphic paintings belonging to the East Jin Dynasty. One of his iconic works is a painting ‘Ode to the Goddess by Lou River’, based on a popular poem with the same title by Cao Zhi. It’s a story of a prince falling in love with a goddess or a nymph by the side of the Lou River. The figures have intricate outlines that were drafted first, and later on filled with pigments. The trees, the mountains and the overall landscape follows a flat perspective painted with translucent colours in earthy tones.

    All these historical Chinese paintings are filled with layered details and intricacies that a viewer can gaze upon for hours. Wu Daozi, another popular Chinese painter from the Tang Dynasty, is known for his work, ‘Born of Gautama Buddha’. This work follows a panorama size having almost 7 different scenes, mainly depicting the birth of Gautama Buddha. His line quality is exceptional, with sepia tones in the background showing off his immense talent. Daozi painted more than 300 murals and over 100 scrolls. His work is truly inspirational, even for the contemporary artists.

    Twelve Landscapes in Old Styles by Wang Jian

    Chinese art has existed since the beginning of time, so calling it exceptional is an understatement. The evolution of painting and other art forms is very noticeable from one era to another. The meaning of Guo Hua painting has also evolved based on changing times, but some elements like having a signature style, a connection with the viewer, certain figurative aesthetics and harmony of colors remains constant.


    As the new year begins, let us also start anew. I’m delighted to extend, on behalf of the Embassy of the People’s Republic of China in the Islamic Republic of Pakistan and in my own name, new year’s greeting and sincere wishes to YOULIN magazine’s staff and readers.

    Only in hard times can courage and perseverance be manifested. Only with courage can we live to the fullest. 2020 was an extraordinary year. Confronted by the COVID-19 pandemic, China and Pakistan supported each other and took on the challenge in solidarity. The ironclad China-Pakistan friendship grew stronger as time went by. The China Pakistan Economic Corridor projects advanced steadily in difficult times, become a standard-bearer project of the Belt and Road Initiative in balancing pandemic prevention and project achievement. The handling capacity of the Gwadar Port has continued to rise and Afghanistan transit trade through the port has officially been launched. The Karakoram Highway Phase II upgrade project is fully open to traffic. The Lahore Orange Line project has been put into operation. The construction of Matiari-Lahore HVDC project was fully completed. A batch of green and clean energy projects, such as the Kohala and Azad Pattan hydropower plants have been substantially promoted. Development agreement for the Rashakai SEZ has been signed. The China-Pakistan Community of Shared Future has become closer and closer.

    Reviewing the past and looking to the future, we are confident to write a brilliant new chapter. The year 2021 is the 100th birthday of the Communist Party of China (CPC) and the 70th anniversary of the establishment of diplomatic relations between China and Pakistan. The 100-year journey of CPC surges forward with great momentum and China-Pakistan relationship has flourished in the past 70 years. Standing at a new historic point, China is willing to work together with Pakistan to further implement the consensus reached by the leaders of the two countries, connect the CPEC cooperation with the vision of the “Naya Pakistan”, promote the long-term development of the China-Pakistan All-weather Strategic Cooperative Partnership with love, dedication and commitment. Mohammad Ali Jinnah, the founding father of Pakistan said, “We are going through fire. The sunshine has yet to come.” Yes, Pakistan’s best days are ahead, China will stand with Pakistan firmly all the way.

    YOULIN magazine is dedicated to promoting cultural exchanges between China and Pakistan and is a window for Pakistani friends to learn about China, especially the Xinjiang Uygur Autonomous Region. It is hoped that with the joint efforts of China and Pakistan, YOULIN can listen more to the voices of readers in China and Pakistan, better play its role as a bridge to promote more effectively people-to-people bond.

    Last but not least, I would like to wish all the staff and readers of YOULIN a warm and prosper year in 2021.

    Nong Rong Ambassador Extraordinary and Plenipotentiary of
    The People’s Republic of China to the Islamic Republic of Pakistan
    January 2021