Prior to the discussion, the event featured a video depicting the artist’s journey around the country for his street art as well as his views and contemplations in relation to art, religion, politics and humanity. The video clips had been taken from Adrian Fisk’s documentation of Asim Butt’s journey of political graffiti through Pakistan.
Butt’s mother, Amna Zahid briefly commented on the monograph, which celebrates her son’s contribution to the world of contemporary art. “The book is entirely family funded, and all book sales will be donated to ‘Asim Butt Trust’, which is dedicated to helping the underprivileged, particularly in the fields of health and education,” she said.
This was followed by a panel discussion on Asim Butt’s works and life by art critics and friends Aasim Akhtar, Nafisa Rizvi and Sheherbano Hussain. Aasim Akhtar spoke, in great detail, about how their camaraderie grew with the passage of time. He talked about his interactions with Butt, their student-teacher relationship and his critique of Asim’s artwork. To sum up his musings, Akhtar read out a three-page letter that Asim Butt had written to honor him once the term at college ended.
Sheherbano Hussain, a fellow artist as well as a close of friend of Asim, said, “He made his work subversive; Asim went against the grain when he painted.” Hussain deliberated on how Asim got himself into trouble for painting on the streets, but remained undeterred by it. She also shared details of Stuckism (an International Art Movement) and how Asim founded the Karachi Stuckist Group.
Art critic, Nafisa Rizvi, (who also edited the book) elucidated how she felt that it was important to document Asim’s work for the generations to come and for them to discover his art. Unlike the artists of today, who work nine-to-five, Asim’s artwork meant everything to him. “He [Asim] always expressed a desire to read and learn more. The fact was that he had read and learnt more than most people he knew. This self doubt is what reflected in him as humility,” added Rizvi.
Friends, colleagues and family, who had gathered to celebrate the late artist, expressed that it is hard to imagine what feats he would have achieved in the world of art, had he not died at such a young age of 32.
You may also like:
The Dot and the Splash: Imran Qureshi and Aisha Khalid at the PNCA
(April 17, 2017)
Art Review: 'Memoir' at Grandeur Art Gallery, Karachi
(April 14, 2017)
Art Review: 'Scapes of Pakistan' at Gallery 6 Islamabad
(April 13, 2017)
Group Show 'Illusion of Reality' at Satrang Art Gallery
(March 31, 2017)
Jimmy Engineer Makes History for China-Pakistan Relations
(March 27, 2017)
Karachi Art Summit: Engaging the Public through Contemporary Art
(March 24, 2017)
Art Review: 'Hum-Kalaam' at Studio Seven Gallery
(March 17, 2017)
'Dil to Pagal Hai' - Annual Artist Residency at Sanat Initiative
(March 03, 2017)
The Annual Emerging Artists Show 2017 at My Art World
(February 24, 2017)
'Love Letters' Revives the Lost Art of Letter Writing at Sanat Initiative
(February 17, 2017)
Reel On Hai: Initiating Discourse through Public Art
(February 09, 2017)
Engaging the Public through Art: Launch of Karachi Biennale 2017
(January 30, 2017)
'Eleven': Karachi Interpreted by 11 Artists at ArtChowk Gallery
(January 20, 2017)
'Identity': New Works by Akram Dost Baloch at Satrang Gallery
(January 19, 2017)
NCA Rawalpindi Thesis Display
(January 17, 2017)