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    Spending October in Artistic Pursuits

    Written by: Nayha Jehangir Khan
    Posted on: November 03, 2021 | | 中文

    Darkness

    Dominion Gallery is presenting two artists who have spent the month of October creating artworks that push the boundaries of their own studio practice. Each artist is hosting a solo presentation of their work in the two main halls of the gallery. The shows on display are “The October Series” by Khadijah Rehman, and “Diary of an October” by Amna Suheyl. The exhibition continues till the 6th of November, 2021. The artworks are the result of the artists committing to creating something every day of the month. This art challenged gained popularity first on social media, and now is practiced throughout the global art community. Within the month the artists were committed to swift processing of their visual language, interpretation of new concepts, experimenting with print techniques and diving into an alternative methodology of creating. The motivation to assign an entire month is the recipe for a catalyst to achieve an artistic breakthrough. A revelation that was perhaps hidden due to habitual and premeditated decisions involved in creating a large body of work.

    The Dream

    Rehman has emerged with an illustrative series of handcrafted tales packed with powerful Mughal era protagonists engaged in introspective moments, surrounded by traditional motifs taken from the miniature painting. The display is meticulously designed by Rehman using powerful symmetry, the formation of the work has a cinematic presence allowing the viewer to walk into each piece with accompanying prose by the artist. There is a purposeful mystery behind each painting that is further amplified with Rehman’s intimate journaling. She has written about each piece with delicacy and affection for her characters, their experiences and constructed reality.

    The Carnival

    Similar to the role of a writer and director, Rehman has orchestrated a theatrical visual production staging each story from within an infinite starry night. We recognize these scenes as echoes from centuries of miniature traditions that the artist has traversed in order to collect and render as her own. “The Carnival” has a formation of three male figures that are instantly recognizable as traditional miniature, yet the bright and quirky fairy lights, the green parrots with red envelopes and fireworks transport the viewer to a familiar memory from modern present-day festivities. The lucid color composition of “The Dream” has a joyful sensibility showing a young protagonist peacefully flying through the sky. The neon glow in these miniatures is carefully used to illuminate nighttime sequences, “The Garden At Night” and “The Dialogue” highlight how the artist creates a romantic painterly connection between her characters and nature. The hand-painted gold leaf motifs anchor the entire composition, Rehman uses a gilded moon in the background in various phases that relays a sense of time to each story. Her written reflections allow the viewer to join her discoveries creating a telescope to view each painting from her lens. This lighthearted subversion of traditional miniature helps dismantle the egotism of high art that is associated with classical painting.

    The Garden At Night

    The artist has laid down a path for the viewer to follow, the female protagonists in the series are shown as solitary figures in “The Quiet”, “The Hidden” and “The Forgotten” that are created as a response to questions that the artist is asking herself about how to process the need for validation. Rehman uses the construction of each of these works as a space to understand her own psychology and the jarring realities of the human condition. The women in “The Dialogue”, “Act 1”, “The Evening Tea” and “Soft”, are in pairs challenging predictable tropes about womanhood.

    The Evening Tea

    Rehman uses her writing to dig deeper into these visual representations offering a modernistic interpretation that is more independent, expressive and alive as compared to the classically rehearsed understanding of women in miniature. The presence of beautiful miniature borders, historical architecture, painterly foliage and clouds and mystical creatures come together as a complete visual experience.

    The Matter

    Gallery

    Act 1

    Soft

    The Words

    The Dialogue

    The Forgotten

    The Hidden

    The Quiet

    The Dialogue


    As the new year begins, let us also start anew. I’m delighted to extend, on behalf of the Embassy of the People’s Republic of China in the Islamic Republic of Pakistan and in my own name, new year’s greeting and sincere wishes to YOULIN magazine’s staff and readers.

    Only in hard times can courage and perseverance be manifested. Only with courage can we live to the fullest. 2020 was an extraordinary year. Confronted by the COVID-19 pandemic, China and Pakistan supported each other and took on the challenge in solidarity. The ironclad China-Pakistan friendship grew stronger as time went by. The China Pakistan Economic Corridor projects advanced steadily in difficult times, become a standard-bearer project of the Belt and Road Initiative in balancing pandemic prevention and project achievement. The handling capacity of the Gwadar Port has continued to rise and Afghanistan transit trade through the port has officially been launched. The Karakoram Highway Phase II upgrade project is fully open to traffic. The Lahore Orange Line project has been put into operation. The construction of Matiari-Lahore HVDC project was fully completed. A batch of green and clean energy projects, such as the Kohala and Azad Pattan hydropower plants have been substantially promoted. Development agreement for the Rashakai SEZ has been signed. The China-Pakistan Community of Shared Future has become closer and closer.

    Reviewing the past and looking to the future, we are confident to write a brilliant new chapter. The year 2021 is the 100th birthday of the Communist Party of China (CPC) and the 70th anniversary of the establishment of diplomatic relations between China and Pakistan. The 100-year journey of CPC surges forward with great momentum and China-Pakistan relationship has flourished in the past 70 years. Standing at a new historic point, China is willing to work together with Pakistan to further implement the consensus reached by the leaders of the two countries, connect the CPEC cooperation with the vision of the “Naya Pakistan”, promote the long-term development of the China-Pakistan All-weather Strategic Cooperative Partnership with love, dedication and commitment. Mohammad Ali Jinnah, the founding father of Pakistan said, “We are going through fire. The sunshine has yet to come.” Yes, Pakistan’s best days are ahead, China will stand with Pakistan firmly all the way.

    YOULIN magazine is dedicated to promoting cultural exchanges between China and Pakistan and is a window for Pakistani friends to learn about China, especially the Xinjiang Uygur Autonomous Region. It is hoped that with the joint efforts of China and Pakistan, YOULIN can listen more to the voices of readers in China and Pakistan, better play its role as a bridge to promote more effectively people-to-people bond.

    Last but not least, I would like to wish all the staff and readers of YOULIN a warm and prosper year in 2021.

    Nong Rong Ambassador Extraordinary and Plenipotentiary of
    The People’s Republic of China to the Islamic Republic of Pakistan
    January 2021